“Arthur Shilling: The Legend” ran from October 9 – 25, 1986 at KRG. To accompany the exhibition a publication was produced.
Robert Houle’s work “Premises for Self-Rule: Constitution Act” featured in the Art Gallery of Ontario’s online Teacher Resource series.
Robert Houle’s work “The Pines” featured in the Art Gallery of Ontario’s online Teacher Resource series.
The AGO launches a digital Teacher Resource that will include “Indigenous artists in the AGO Collection” starting with Barry Ace.
This week it was announced that Robert Houle has received one of the Toronto Friends of the Visual Arts (TFVA) awards.
Indigenous peoples have always worked innovations in technology into their cultural practice.
In a recent article of the NGC’s Magazine Becky Rynor, an Ottawa based journalist, sits down Jane.
On February 1, TVO presents the world broadcast premiere of TVO Original There Are No Fakes.
MEDIA: CBC Indigenous reviews Barry Ace’s “mazinigwaaso / to bead something” on now at Concordia’s FOFA Gallery
Last week, CBC Indigenous correspondent Jessica Deer interviewed Barry Ace on his newest exhibition –mazinigwaaso / to bead something Barry Ace: Bandolier Bags as Cultural Conduit – on now at Concordia University’s FOFA Gallery until December 12 . From the CBC: It marks Ace’s first solo exhibition in Montreal, and features 14 works based on bandolier […]
MEDIA: National Gallery of Canada’s Magazine features Barry Ace’s “Otter Moccasins” for Àbadakone preview
They look to the past but also imply a future moment where an individual may step into the work to inhabit the space as an activating presence. The designer Fluevog “Swordfish” footwear was gifted to Ace by Anishinaabe artist Michael Belmore. This exchange, along with the decision to alter contemporary shoes, “demonstrates cultural continuity and a resistance to cultural stasis or erasure,” Ace shared. Nigik Makizinan – Otter Moccasins leaves an indelible imprint on the present.